The Virginian is a 1902 book written by Owen Wister. Set in Wyoming, 1874, there are two dances in this book. The first one is an impromptu men’s Virginia reel. The second is the ball at which the hero changes all the sleeping children about.
Chapter 3
By a happy thought Medicine Bow formed into two lines, making an avenue from the door. And then everything happened at once; and how shall mere words narrate it? The door burst open, and out flew the commercial traveller in his stockings. One hand held a lump of coat and trousers with suspenders dangling, his boots were clutched in the other. The sight of us stopped his flight short. He gazed, the boots fell from his hand; and at his profane explosion, Medicine Bow set up a united, unearthly noise and began to play Virginia reel with him. The other occupants of the beds had already sprung out of them, clothed chiefly with their pistols, and ready for war. “What is it?” they demanded. “What is it?”
“Why, I reckon it’s drinks on Steve,” said the Virginian from his bed. And he gave the first broad grin that I had seen from him.
“I’ll set ’em up all night!” Steve shouted, as the reel went on regardless. The drummer was bawling to be allowed to put at least his boots on. “This way, Pard,” was the answer; and another man whirled him round. “This way, Beau!” they called to him; “This way, Budd!” and he was passed like a shuttle-cock down the line.
Suddenly the leaders bounded into the sleeping-room. “Feed the machine!” they said. “Feed her!” And seizing the German drummer who sold jewellery, they flung him into the trough of the reel. I saw him go bouncing like an ear of corn to be shelled, and the dance ingulfed him. I saw a Jew sent rattling after him; and next they threw in the railroad employee, and the other Jew; and while I stood mesmerized, my own feet left the earth. I shot from the room and sped like a bobbing cork into this mill race, whirling my turn in the wake of the others amid cries of, “Here comes the Prince of Wales!” There was soon not much English left about my raiment.
They were now shouting for music. Medicine Bow swept in like a cloud of dust to where a fiddler sat playing in a hall; and gathering up fiddler and dancers, swept out again, a larger Medicine Bow, growing all the while. Steve offered us the freedom of the house, everywhere. He implored us to call for whatever pleased us, and as many times as we should please. He ordered the town to be searched for more citizens to come and help him pay his bet. But changing his mind, kegs and bottles were now carried along with us. We had found three fiddlers, and these played busily for us; and thus we set out to visit all cabins and houses where people might still by some miracle be asleep.
Everybody was to come out. Many were now riding horses at top speed out into the plains and back, while the procession of the plank and keg continued its work, and the fiddlers played incessantly.
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Chapter 10
He worried the scarf a fold or two further, and at length, a trifle more than satisfied with his appearance, he proceeded most serenely toward the sound of the tuning fiddles. He passed through the store-room behind the kitchen, stepping lightly lest he should rouse the ten or twelve babies that lay on the table or beneath it. On Bear Creek babies and children always went with their parents to a dance, because nurses were unknown. So little Alfred and Christopher lay there among the wraps, parallel and crosswise with little Taylors, and little Carmodys, and Lees, and all the Bear Creek offspring that was not yet able to skip at large and hamper its indulgent elders in the ball-room.
“Why, Lin ain’t hyeh yet!” said the Virginian, looking in upon the people. There was Miss Wood, standing up for the quadrille.
“Salute your honey!” called the first fiddler. All partners bowed to each other, and as she turned, Miss Wood saw the man in the doorway. So she danced away, carefully unaware of his existence.
“First lady, centre!” said her partner, reminding her of her turn. “Have you forgotten how it goes since last time?”
Molly Wood did not forget again, but quadrilled with the most sprightly devotion. At the end of the set she saw the man by the door take a step in her direction.
And then Miss Wood passed him brightly again, and was dancing the schottische almost immediately.
“Waltzin’,” repeated the Virginian quickly, and hearing the fiddles he hastened away.
Few in the Bear Creek Country could waltz, and with these few it was mostly an unsteered and ponderous exhibition; therefore was the Southerner bent upon profiting by his skill. He entered the room, and his lady saw him come where she sat alone for the moment, and her thoughts grew a little hurried.
“Will you try a turn, ma’am?”
“I beg your pardon?” It was a remote, well-schooled eye that she lifted now upon him.
“If you like a waltz, ma’am, will you waltz with me?”
“You’re from Virginia, I understand?” said Molly Wood, regarding him politely, but not rising. One gains authority immensely by keeping one’s seat. All good teachers know this.
“Yes, ma’am, from Virginia.”
“I’ve heard that Southerners have such good manners.”
“That’s correct.” The cow-puncher flushed, but he spoke in his unvaryingly gentle voice.
“For in New England, you know,” pursued Miss Molly, noting his scarf and clean-shaven chin, and then again steadily meeting his eye, “gentlemen ask to be presented to ladies before they ask them to waltz.”
He stood a moment before her, deeper and deeper scarlet; and the more she saw his handsome face, the keener rose her excitement. She waited for him to speak of the river; for then she was going to be surprised, and gradually to remember, and finally to be very nice to him. But he did not wait. “I ask your pardon, lady,” said he, and bowing, walked off, leaving her at once afraid that he might not come back. But she had altogether mistaken her man. Back he came serenely with Mr. Taylor, and was duly presented to her. Thus were the conventions vindicated.
The fiddles sounded hilariously in the house, and the feet also. They had warmed up altogether, and their dancing figures crossed the windows back and forth. The two cow-punchers drew near to a window and looked in gloomily.
“There she goes,” said Lin.
“With Uncle Hughey again,” said the Virginian, sourly. “Yu’ might suppose he didn’t have a wife and twins, to see the way he goes gambollin’ around.”
“Westfall is takin’ a turn with her now,” said McLean.
“James!” exclaimed the Virginian. “He’s another with a wife and fam’ly, and he gets the dancin’, too.”
“There she goes with Taylor,” said Lin, presently.
“Another married man!” the Southerner commented. They prowled round to the store-room, and passed through the kitchen to where the dancers were robustly tramping. Miss Wood was still the partner of Mr. Taylor. “Let’s have some whiskey,” said the Virginian. They had it, and returned, and the Virginian’s disgust and sense of injury grew deeper. “Old Carmody has got her now,” he drawled. “He polkas like a landslide. She learns his monkey-faced kid to spell dog and cow all the mawnin’. He’d ought to be tucked up cosey in his bed right now, old Carmody ought.”
They were standing in that place set apart for the sleeping children; and just at this moment one of two babies that were stowed beneath a chair uttered a drowsy note. A much louder cry, indeed a chorus of lament, would have been needed to reach the ears of the parents in the room beyond, such was the noisy volume of the dance. But in this quiet place the light sound caught Mr. McLean’s attention, and he turned to see if anything were wrong. But both babies were sleeping peacefully.
“Them’s Uncle Hughey’s twins,” he said.
“How do you happen to know that?” inquired the Virginian, suddenly interested.
“Saw his wife put ’em under the chair so she could find ’em right off when she come to go home.”
“Oh,” said the Virginian, thoughtfully. “Oh, find ’em right off. Yes. Uncle Hughey’s twins.” He walked to a spot from which he could view the dance. “Well,” he continued, returning, “the schoolmarm must have taken quite a notion to Uncle Hughey. He has got her for this quadrille.” The Virginian was now speaking without rancor; but his words came with a slightly augmented drawl, and this with him was often a bad omen. He now turned his eyes upon the collected babies wrapped in various colored shawls and knitted work. “Nine, ten, eleven, beautiful sleepin’ strangers,” he counted, in a sweet voice. “Any of ’em your’n, Lin?” “Not that I know of,” grinned Mr. McLean.
“Eleven, twelve. This hyeh is little Christopher in the blue-stripe quilt–or maybe that other yello’-head is him. The angels have commenced to drop in on us right smart along Bear Creek, Lin.”
“What trash are yu’ talkin’ anyway?”
“If they look so awful alike in the heavenly gyarden,” the gentle Southerner continued, “I’d just hate to be the folks that has the cuttin’ of ’em out o’ the general herd. And that’s a right quaint notion too,” he added softly. “Them under the chair are Uncle Hughey’s, didn’t you tell me?” And stooping, he lifted the torpid babies and placed them beneath a table. “No, that ain’t thorough,” he murmured. With wonderful dexterity and solicitude for their wellfare, he removed the loose wrap which was around them, and this soon led to an intricate process of exchange. For a moment Mr. McLean had been staring at the Virginian, puzzled. Then, with a joyful yelp of enlightenment, he sprang to abet him.
And while both busied themselves with the shawls and quilts, the unconscious parents went dancing vigorously on, and the small, occasional cries of their progeny did not reach them.
Chapter 11
The Swinton barbecue was over. The fiddles were silent, the steer was eaten, the barrel emptied, or largely so, and the tapers extinguished; round the house and sunken fire all movement of guests was quiet; the families were long departed homeward, and after their hospitable turbulence, the Swintons slept.
Square Dancing in the 1800s 